This micro porous, satin coated photo paper with PE film on both sides, is suitable for all photo applications. Prints impress with high colour brilliance and a
broad colour gamut.
210gsm SIHL Aquarella
SIHL 3338 Textured Aquarella2 Paper 210gsm is a first class, natural white paper that gives your fine art and photography prints a painted illusion.
305gsm Hahnemuhle Photo rag ultra smooth
Photo Rag is the most popular paper chosen by artists & photographers to create high-quality fine art prints. The fine, smooth surface and feel of Photo Rag make
this paper very versatile and it is ideal for printing both black and white and colour photographs and art reproductions with impressive depth.
Inspired by vintage maps and my garden’s natural forms, this watercolour map blends delicate mark-making with botanical textures to capture the unique shape and spirit of place. I have taken a different direction with this print series and am really enjoying the refreshed vintage style combined with the development of my own unique map painting.
Greater London Boroughs features the borders of each London Borough as well as the River Thames winding through. As the series progresses I plan to paint each London Borough. Do get in touch if you cannot find a print of your borough via contact@rosemarywhittle.co.uk
Artist Bio:
Rosemary Whittle is a watercolour artist who explores medium, colour, and line through maps. She studied at Falmouth University before earning a degree in Critical Fine Art Practice from the University of Brighton in 2012. She worked in the arts before transitioning to Library Services, where she spent a decade.
In 2023, after being made redundant from Hillingdon Libraries, Rosemary returned to painting, adapting watercolour to the realities of life with small children. In 2024, she joined a local artist group, began exhibiting her work, and took on commissions.
Rosemary experiments with mark-making techniques to embrace the unpredictability of wet-on-wet watercolour, including salt, sponges, acrylic inks, and super-granulating colours. Maps provide an ideal framework for her exploration, with their distinctive lines acting as a foundation for expressive mark-making. She isolates these lines, using masking fluid to control and manipulate the flow of pigment.
Beyond aesthetics, Rosemary’s maps hold deep personal meaning. They depict places that have shaped her life, from her lifelong home to London, which she is rediscovering. Through maps, she explores both human impact on the world and her own artistic mark-making
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